Saturday, November 13, 2010

Thank You Verses For Baby Shower

Specimen # 4: Adam Gutierrez

I must confess I had never read Adam and I now regret not having done. In his account of FilmAffinity (a portal also relatively new to me) www.filmaffinity.com/es/userreviews/1/489958.html Adam, in his role as excellent and disciplined film buff, do reviews of everything you see from the romantic and sincere lover who has everything a movie, full of hatred that crushes exacerbated and disproportionate.


1) What are the 15 best films of the 2000-2009 Mexican?


  1. The last look
  2. perfume of violets
  3. Amores Perros
  4. Matando Cabos
  5. The area
  6. Across
  7. Intimacies of Shakespeare and Victor Hugo
  8. 1973
  9. Unnamed
  10. 40 days
  11. The backyard
  12. Familia Tortuga
  13. Dying is in Hebrew
  14. aimlessly Sonia
  15. So the precipice
2) What issues of concern to contemporary Mexican filmmaker?
loneliness, dysfunction of society, corruption, ailamiento, injustice, abuse, flawed as a means to evade the terrible reality and hypocrisy
3) Does the film accurately reflects this period of society?
Yes, definitely modern film reflects many aspects of society in which we are immersed. Of all the films you've mentioned there is always something that is familiar to us because we have seen, we have lived or currently live.
The last look, Amores Perros, The Zone, 40 days, Familia Tortuga and without rhyme or Sonia, are films in which the isolation people are perceived and each brand different reasons to carry the state in which individuals feel good, either for convenience, by necessity or by choice.
violet perfume, Amores Perros, The Backyard, Nameless, Intimacies of Shakespeare and Victor Hugo, 1973 topics such as the injustice to the marked deficiencies that have those who live. The emotional, bring the economic injustices that lead to their unfortunate descenlace protagonists.
Documentaries are more correctly reflect that society full of discrepancies.
4) How do Mexican cinema reflected the political, social and cultural rights of the decade?
In short, the cinema is evolving with the different changes in all possible areas. The closely reflects even if not the main objective of each tape. Scent of violets was a punch to the face, by showing a fact that was heard between the notes red happen in this city, the social breakdown plasma to which we subject a lot even though we are only spectators. The same for the last look, the girls edging toward prostitution and know and get us to participate in passive people who make up today's Mexico.
delinquency is undoubtedly an issue that can not be evaded and more when it is at the corner of the house, where assaults and kidnappings are part of the everyday Mexican (Killing Cabos, no name, area), the simulated drugs and drug use are no exception (and the precipice and 40 days).
The film reflects different tonic what we are today as a group at any level.

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