In http://cinelatinony.blogspot.com/ Del Moral Christian writes about film from Latin America (and more recently Latin America) from New York One of the big cities global cinema. Out of the enormous efforts to promote Latin American cinema does, Christian finds the balance between the role of film critic as a journalist and art critic. In Christian roots is seen a particular film in the region and an interest in the vanguard of the world, resulting in a very interesting view of contemporary cinema, unique.
1) What are the 15 best films of the 2000-2009 Mexican?
01 .- Y Tu Mama Tambien
02 .- Amores Perros
03 .- The Heirs
04 .- Intimacies of Shakespeare and Victor Hugo
05 .- Silent Light
06 .- The Violin
07 .- Nobody Oye: Perfume de Violeta
08 .- El Laberinto del Fauno
09 .- Zone
10 .- El Hoyo
11 .- Alamar
12 .- Backyard
13 .- Desierto Adentro
14 .- Sin Nombre
15 .- Across
2 Do What issues of concern to contemporary Mexican filmmaker?
There are a variety of topics, such that talk of a trend would be reduced simply to that. I want to know what will happen in the coming years and how they will react filmmakers and writers, to what is happening in Mexico. Still several outstanding issues, some that have not even played in the film: 70 years of dictatorship, the army, the criticism of private institutions, religious organizations and the sad legacy of the PRI in Mexican society. 3) Does the film accurately reflects this period of society?
is always subjective and debatable, ensure that. However, comparison of Mexican television, I think the theater often takes risks (artistic and economic) and presents works that reflect sincerity. Furthermore, the increase of documentaries in recent years, speaks of that same need. 4) How do Mexican cinema reflected the political, social and cultural rights of the decade?
I think there were interesting proposals, but the changes have not reached citizens (perhaps the City, is the exception) throughout the country and therefore to the big screen.
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