Monday, November 15, 2010

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Specimen # 5: Gustavo Barrientos


As any moviegoer, the film is part the life of Gustavo Barrientos. In http://yaquiestagusdabarr.wordpress.com Gustavo writes about film, theater, music, and how these artistic expressions are an essential part of his life. The so personally as Gustav seen the movies and art in general, gives his vision of an unusual freshness in web, away from claims and filled with pure love to the movies.

1) What are the top 15 in the 2000-2009 Mexican films?
I do not know how to put or choose what is best that each has its importance, and I'll tell you why.

  • Y Tu Mama Tambien breaks with an outline of what "frowned upon" by society. A film that shows a youth, as close as possible to reality on a journey of discovery.
  • Amores perros marks the beginning of a series of films more risky by its narrative structure and visual.
  • area Toca social issues with a thoughtful point of view interesting.
  • violet perfume, no one can hear you fememenina and Violence family for moral support.
  • The Crime of Father Amaro Questioning the power of the church and sexuality of priests.
  • From the street Urban Violence.
  • Sex, shame and tears Perhaps the small of conventional film, but you can not take the fact it is the most watched Mexican films having such characters, which in turn are easily identified easily as spectators.
  • Fraud: Mexico 2006 A film with a very strong political bias, but I generate a lot of censorship and irritation in various political foci.
  • Love hurts The teenage love story par excellence. There is nobody who has not seen at least once, for this structure of melodrama to the Romeo and Juliet.
  • Burn the ships An honest film for its sexual themes and the relationship between siblings.
  • Silent Light Priced visual, is as close to the current Mexican cinema. More image less dialogue.
  • Duck Season Characters very close, and also the adolescent's identity process. Its simplicity is its success
  • The Backyard (Backyard) it always will be a topic to talk about. Violence in Juarez.
  • Heaven divided Of the few films to introduce gay characters non-stereotypical.

2) What issues of concern to contemporary Mexican filmmaker?


I think the contemporary filmmaker explores sexuality, but still leaves it as simple perception. Like to take political situation and exercise some thought. But now and beyond tell a story that itself, but to demonstrate their creativity and visual senses. Image now weighs more than a story spun and transcendental.


3) Does the film this period accurately reflects society?

I think society is advancing, but not the accounts.


4) showed how Mexican cinema the political, social and cultural rights of the decade?

The film goes hand in hand with the changes, plus the film did not cause such changes.

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