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Specimen # 5: Gustavo Barrientos

As any moviegoer, the film is part the life of Gustavo Barrientos. In http://yaquiestagusdabarr.wordpress.com Gustavo writes about film, theater, music, and how these artistic expressions are an essential part of his life. The so personally as Gustav seen the movies and art in general, gives his vision of an unusual freshness in web, away from claims and filled with pure love to the movies.

1) What are the top 15 in the 2000-2009 Mexican films?

I do not know how to put or choose what is best that each has its importance, and I'll tell you why.

• Y Tu Mama Tambien breaks with an outline of what "frowned upon" by society. A film that shows a youth, as close as possible to reality on a journey of discovery.
• Amores perros marks the beginning of a series of films more risky by its narrative structure and visual.
• area Toca social issues with a thoughtful point of view interesting.
• violet perfume, no one can hear you fememenina and Violence family for moral support.
• The Crime of Father Amaro Questioning the power of the church and sexuality of priests.
• From the street Urban Violence.
• Sex, shame and tears Perhaps the small of conventional film, but you can not take the fact it is the most watched Mexican films having such characters, which in turn are easily identified easily as spectators.
• Fraud: Mexico 2006 A film with a very strong political bias, but I generate a lot of censorship and irritation in various political foci.
• Love hurts The teenage love story par excellence. There is nobody who has not seen at least once, for this structure of melodrama to the Romeo and Juliet.
• Burn the ships An honest film for its sexual themes and the relationship between siblings.
• Silent Light Priced visual, is as close to the current Mexican cinema. More image less dialogue.
• Duck Season Characters very close, and also the adolescent's identity process. Its simplicity is its success
• The Backyard (Backyard) it always will be a topic to talk about. Violence in Juarez.
• Heaven divided Of the few films to introduce gay characters non-stereotypical.

2) What issues of concern to contemporary Mexican filmmaker?

I think the contemporary filmmaker explores sexuality, but still leaves it as simple perception. Like to take political situation and exercise some thought. But now and beyond tell a story that itself, but to demonstrate their creativity and visual senses. Image now weighs more than a story spun and transcendental.

3) Does the film this period accurately reflects society?

I think society is advancing, but not the accounts.

4) showed how Mexican cinema the political, social and cultural rights of the decade?

The film goes hand in hand with the changes, plus the film did not cause such changes.

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Specimen # 4: Adam Gutierrez

I must confess I had never read Adam and I now regret not having done. In his account of FilmAffinity (a portal also relatively new to me) www.filmaffinity.com/es/userreviews/1/489958.html Adam, in his role as excellent and disciplined film buff, do reviews of everything you see from the romantic and sincere lover who has everything a movie, full of hatred that crushes exacerbated and disproportionate.

1) What are the 15 best films of the 2000-2009 Mexican?

1. The last look
2. perfume of violets
3. Amores Perros
4. Matando Cabos
5. The area
6. Across
7. Intimacies of Shakespeare and Victor Hugo
8. 1973
9. Unnamed
10. 40 days
11. The backyard
12. Familia Tortuga
13. Dying is in Hebrew
14. aimlessly Sonia
15. So the precipice

2) What issues of concern to contemporary Mexican filmmaker?

loneliness, dysfunction of society, corruption, ailamiento, injustice, abuse, flawed as a means to evade the terrible reality and hypocrisy

3) Does the film accurately reflects this period of society?

Yes, definitely modern film reflects many aspects of society in which we are immersed. Of all the films you've mentioned there is always something that is familiar to us because we have seen, we have lived or currently live.

The last look, Amores Perros, The Zone, 40 days, Familia Tortuga and without rhyme or Sonia, are films in which the isolation people are perceived and each brand different reasons to carry the state in which individuals feel good, either for convenience, by necessity or by choice.

violet perfume, Amores Perros, The Backyard, Nameless, Intimacies of Shakespeare and Victor Hugo, 1973 topics such as the injustice to the marked deficiencies that have those who live. The emotional, bring the economic injustices that lead to their unfortunate descenlace protagonists.

Documentaries are more correctly reflect that society full of discrepancies.

4) How do Mexican cinema reflected the political, social and cultural rights of the decade?

In short, the cinema is evolving with the different changes in all possible areas. The closely reflects even if not the main objective of each tape. Scent of violets was a punch to the face, by showing a fact that was heard between the notes red happen in this city, the social breakdown plasma to which we subject a lot even though we are only spectators. The same for the last look, the girls edging toward prostitution and know and get us to participate in passive people who make up today's Mexico.

delinquency is undoubtedly an issue that can not be evaded and more when it is at the corner of the house, where assaults and kidnappings are part of the everyday Mexican (Killing Cabos, no name, area), the simulated drugs and drug use are no exception (and the precipice and 40 days).

The film reflects different tonic what we are today as a group at any level.

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Specimen # 3: Paxton Hernandez

Paxton Hernandez is the web's White Ayala, plain and simple. In my opinion one of the best writers who write about film in all of Mexico, ironic and visceral. In Paxton http://paxtonmovies.blogspot.com/ rants when it comes to the sacred cows of contemporary Mexican cinema. Eimbcke, Escalante, the first two works of Reygadas, Pla and Rulfo, to name a few, have been devastated with their writing agile, dynamic and stylistically excelsa. Paxton, as Ayala Blanco, did not find the jewels of contemporary Mexican cinema in film comedies festivalero but guapachoso, the incipient and sporadic genre films, documentaries and student urban stories full of violence and worldly love.

The top 15:

01. Erendira the Indomitable (2006, Juan Mora Catlett)

02. Blue Eyelids (2007, Ernesto Contreras)

03. SOBA (2004, Alan Coton)

04. Cumbia (2007, René U. Villarreal)

05. A Thousand Clouds of Peace Fence the Sky, Love Will Never End to be love (2003, Julian Hernandez)

06. Sofia (2000, Alan Coton)

07. Adam and Eve (still) (2004, Iván Ávila Dueñas)

08. So (2005, Jesus-Mario Lozano)

09. On the other side (2005, Natalia Almada)

10. Intimacies of Shakespeare and Victor Hugo (2008, Yulene Olaizola)

11. 24 Tables of Terror (2008, Christian Gonzalez)

12. In the black sands (2002, Marcel Sisniega)

13. Silent Light (2007, Carlos Reygadas)

14. Presumed Guilty (2009, Roberto Hernandez)

15. 1973 (2005, Antonino Isordia)

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Specimen # 2: Joel Meza

Joel Meza is one of the most ironic and corrosive Mexican film critics (open brackets for linking one of my favorite posts of his blog, that each I read piss me laugh: http://ideasdejoel.blogspot.com/2010/07/5-dias-sin-nora-12.html ; close parenthesis) on the Web at http://ideasdejoel.blogspot.com/ Joel writes about celluloid monsters who stumbles on "the ranch", back in Mexicali, a city that, like many others in the country, has a bad (or is it good?) lucky enough to receive some of the Mexican film to premiere in Mexico City.

1) What are the 15 best films of the 2000-2009 Mexican?

not think I've seen, unfortunately, 15 Mexican films of the new century yet. From what little we've seen, the most obvious:

-old thieves.

"The Backyard.

"The Crime of Father Amaro.

"Herod's Law.

-blue eyelids.

-Season Ducks.

-...

2) What issues of concern to contemporary Mexican filmmaker?

I do not think there are so many common issues such as how to address them: the plague is the most common these days, I think. Indeed, the recent Mexican films that I liked are not precisely hit.

3) Does the film accurately reflects this period of society?

could not say, because so little recent Mexican films I've seen. At least the documentary, I think they do.

4) How do Mexican cinema reflected the political, social and cultural rights of the decade?

Well, I do think there four mentioned above have done successfully, each in its own way. Herod's Law, with his satire of hand. Crime ... and The Backyard, denouncing a serious way, with a well-constructed reality (whether that is a lot like reality true ) within the film. Los Ladrones Viejos, just talking about what he does little more than a decade could not say openly without consequences: the corruption of police officers and governors.

Duck Season could occur in any city today. Similarly, Blue Eyelids is a love story in limbo.